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While the type of shells you have play a big role in how your drum kit sounds, it’s the drumheads that establish the tones and provide the drums with the majority of their sound.
A fresh set of heads can completely rejuvenate how your drum kit sounds, and higher-end heads can often make cheaper kits sound amazing. So, it’s important to have good heads to give your drum kit the best performance.
I’ve tested 9 of the most popular drum head sets available so you can find out exactly how they perform and sound in the same studio environment, and you can see the video below for the full test results.
What Are The Best Drum Heads For All Musical Styles?
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Watch the Full in-depth Review
My Testing Process
Sound Quality
I tested all nine tom head packs in my studio, keeping the tuning and miking setup consistent to get a fair comparison. I listened closely for tone, attack, sustain, and how each head brought out the natural character of the drums. Some heads leaned darker and more controlled, while others were open and bright.
Durability
I played each head over several sessions to see how well they held up, looking for stick marks, coating wear, and any signs of detuning or stretching. Some of these heads, like the Evans UV2s, showed almost no wear at all, but all of the options I tested proved they can hold up to professional use.
Versatility
Every head was tested across a range of tunings and music styles. From low, deep rock settings to higher jazz and fusion-style tunings – to see how adaptable they were. The best ones performed consistently across all ranges and will be extremely versatile for any style of music you wish to play.
Ease of Tuning
Finally, I made sure each of these heads was easy to dial in. I kept the tuning process consistent across all the toms, and every set responded well and held its pitch nicely once seated. Some heads settled into tune faster than others, but overall, I found all of them easy to work with and satisfying to tune .
Drum Heads Reviews
Evans UV2 Coated
Evans UV2 Coated Review
The Evans UV2 is one of the most impressive tom head packs I’ve tested in a long time, and honestly, I’ve been blown away by them. From all nine tom head packs I’ve tried, these really stood out as some of my favorites, and the durability is just incredible.
Evans has taken their popular two-ply coated design and added their patented UV-cured coating, which makes a massive difference in terms of lifespan. Even after weeks of playing, these heads look and feel brand new – no flaking, no stick marks, no uneven wear whatsoever.
These heads feature two plies of 7mil film, similar to a coated G2, but the UV coating gives them an edge. They have a fat, punchy tone with clear attack, plus a short-to-medium sustain that makes them sit beautifully in a mix.
They also have a pretty unique blend of brightness and warmth from the attack, making them versatile for virtually all modern styles of music including rock, gospel, pop, fusion, funk, metal and more.
I’ve tested them on both a beginner Tama Imperialstar and a high-end Tama Star drum set, and in both cases, they brought out the best in the kit. They’re really easy to tune, hold their pitch well, and each tom responds beautifully.
It’s easy to see why top pros like Chris Coleman and Anika Niles swear by them. For drummers wanting a versatile, modern head with excellent durability and sound, the UV2s are a knockout choice.
Pros
- Incredible durability from UV coating
- Punchy, fat tone with controlled sustain but still plenty of character
- Easy tuning, stable pitch, works beautifully on all drum kits
Cons
- Slightly more expensive than standard coated heads
- Controlled sustain may not suit every genre
Remo Emperor Clear
Remo Emperor Clear Review
The Remo Emperor Clear tom heads are among the most popular out there, and I’ve always used these on tours in the past. They’ve been my go-to choice for live shows because of their punch, fullness, and excellent attack that works amazing under microphones.
These heads are made from two plies of 7mil Mylar film; very similar in construction to the Evans G2 Clear heads. They deliver a fat, punchy tone with exceptional attack and brightness, and have a really nice open character without being overly harsh.
The sustain is solid and musical, giving each tom a clear, natural resonance, while still keeping overtones under control. For my personal taste, I sometimes like a touch more dampening, but even without it, these heads sound fantastic and very balanced.
They’re incredibly versatile and sound excellent across a wide range of styles. I found that tuning them was also pretty easy compared to some of the other heads from my testing.
If you’re looking for tried-and-tested heads with a classic, open, and natural sound, the Remo Emperor Coated is a great choice.
Pros
- Open, punchy tone with excellent attack and brightness
- One of the most popular and versatile drum heads of all time
- Reliable tuning and pitch stability
Cons
- Some drummers may prefer more dampening
- Lacks the warmth and rounded tone of coated and more dampened heads
Evans G2 Clear
Evans G2 Clear Review
The Evans G2 Clear Drumheads are some of the most versatile out there, and these are ones I’ve enjoyed using a lot lately. They offer a bright, articulate attack with a medium sustain and a wide-open, full tonality that sits work amazingly especially live.
These heads are made from two plies of 7mil film, same thickness to the coated G2, but the clear finish gives them a sharper, more cutting tone. The tuning range is impressive – these sound as good tuned low as they do high, which makes them incredibly easy to work with.
From my testing I did find the floor tom a little trickier to tune than a head with additional dampening (such as the Evans EC2 or HD Dry) but I got there eventually. Personally, I’d still add a moongel on some drums to tame a few overtones.
While they aren’t as warm as coated heads or the UV2s, I’ve found them perfect for styles that need clarity and projection, such as rock, pop, fusion, gospel, funk, and even some heavier genres.
Their reliability, strong attack, and wide-open sound make them great all-rounder drumheads. They are also excellent value for money considering they are the most affordable options featured here.
Pros
- Bright, articulate tone with strong attack
- Medium sustain and wide-open, full tonality
- Easy to tune and holds pitch reliably
Cons
- Less warmth than coated heads
- Floor tom can be trickier to tune
- Some overtones may benefit from additional dampening
Remo Ambassador Coated
Remo Ambassador Coated Review
The Remo Ambassador Coated heads are a classic for a reason- they sound fantastic and suit almost any style of music. Tonally, they’re very similar to the Evans G1 Coated, with warm, punchy, full-bodied sound and plenty of character.
From my testing, I found the Evans G1 coated gives a slight edge on the floor tom, but on the high and mid toms, the Ambassadors are just as expressive.
These heads are single-ply 10 mil film, keeping things simple yet effective. Tonally they have a very open and musical sound with a nice balance of attack and sustain. I did find the coating wears faster than the coating on the Evans G1 though – you’ll see plenty of stick marks even after a single session.
I’ve recorded albums with these on toms, and they really sound amazing with a warm tone yet with enough attack to cut through the mix. Both easy to tune and very affordable, they’re perfect for drummers who want a classic, proven sound without spending a fortune.
Pros
- Warm, full-bodied tone with punchy attack
- Easy to tune and reliable across toms
- Affordable, classic, and widely used
Cons
- Floor tom may benefit from extra dampening
- Coating wears faster than Evans and Aquarian single ply options
- Slightly less durable than some modern two-ply options
Evans EC2 Clear
Evans EC2 Clear Review
The Evans EC2s feature an extra edge control ring beneath two plies of 7mil film, which gives them a tighter resonance and shorter sustain than the Clear G2s, while still having that punchy attack I love.
I actually prefer these over Remo Pinstripes – to my ears, they feel fuller and more tonally rich in the low end. They’re really easy to tune and respond beautifully across the kit.
The dynamic range is great, with a thick, full tone that works equally as well on floor toms and higher toms. At the same time, the clear finish keeps the attack bright and defined, which I really like.
These heads are incredibly durable – I’ve been playing them hard over multiple sessions, and they hold up really well. No flaking or weird tuning issues, which is why they’re popular with pros, especially within rock music.
Overall I’m a big fan of the EC2s. They strike a great balance between punch, fullness, and durability, making them some of my go-to heads of late.
Pros
- Full, thick tone with enhanced low-end attack
- Easy tuning and consistent pitch across the kit
- Durable heads that hold up well under heavy playing
Cons
- Tighter sustain and enhanced low end may not suit every style
- Not as bright as some drummers might prefer
Evans HD Dry
Evans HD Dry Review
The HD Dry tom heads are an amazing new tom head option. They give a focused and punchy tone right out of the box with no need for additional muffling, making them perfect for drummers who want a tight, modern sound.
These are 2-ply heads, with a 7.5 mil inner layer and a 5 mil outer layer, so they are slightly thinner than all the other 2-ply heads featured here, but with an added 2 mil control ring on the inside and small vent holes around the edge. These help to tighten up the tone further.
The durability on these heads is amazing- they are built to take a beating. Even after heavy sessions, there’s no stick marks or wear on the coating.
More importantly, they sound incredible straight out of the box. I tuned them up easily across my toms and didn’t have to fight them at all to get a nice, even pitch interval between each one.
The sound is tight and punchy but still musical. They’ve got minimal overtones, yet they retain the warmth and natural character of the drum. It’s just a really nice balance.
I think these are perfect for both recording and live use when you don’t want messy overtones, but still want a modern character with enough warmth and resonance to avoid sounding flat or dull.
Honestly, I can see these working across so many styles- rock, gospel, pop, fusion, metal, country- you name it.
Pros
- Minimal overtones and sustain but still retains the natural character of the drum
- Easy to tune with satisfying, even tom response
- Extremely durable coating with no stick marks
Cons
- Slightly limited versatility - might sound too dry for some musical styles
- Less open tone compared to standard single ply or double ply heads
Aquarian Texture Coated
Aquarian Texture Coated Review
The Aquarian Texture Coated heads are another solid choice- sitting in the same league as the Evans G1 and Remo Ambassador Coated. They have a single-ply 10 mil construction that keeps the sound open, expressive, and balanced, with a fairly open level of sustain.
I’ve tested all three extensively, and while I do lean more towards the Evans G1 and Remo Ambassadors, the Texture Coated heads always sound clean and full. I think they bring out the natural character of the drums really nicely.
I’ve had these on my Tama Star for many sessions, and they bring out the drums’ natural character beautifully. They have nice warmth with a punchy attack, and the coating itself is extremely durable- more so than the Remo Ambassador, though not quite as tough as the Evans coating.
They tune easily and sit beautifully in a mix, and I can see them working across pretty much any genre- rock, pop, jazz, fusion, gospel, hip-hop, RnB. I personally still prefer the Evans G1 or Remo Ambassadors, but these are a quieter, less common option that still sounds fantastic and will make any drum kit feel a bit more professional.
Pros
- Durable coating, holds up well over time
- Warm, punchy, and musical tone
- Expressive and easy to tune
Cons
- Slightly less of a rounded tone than G1 or Ambassador in my experience
- Single-ply won’t suit drummers wanting extra dampening
- Less widely used, so fewer references in pro setups
Evans G1 Coated
Evans G1 Coated Review
The Evans G1 Coated tom heads are a joy to play. They’ve got this punchy, warm, full-of-life tone that’s really musical, with plenty of sustain without sounding harsh or overbearing. The coated finish gives them a subtle warmth that makes each tom really sing.
These are made with a single ply of 10-mil film, and I found them super easy to tune- I didn’t have to wrestle with them at all. Each tom just found its perfect sweet spot really easily.
They’ve got an open, expressive sound that works across pretty much any style of music, whether it’s rock, pop, funk, fusion, or jazz. Honestly, on any drum kit they make things sound more professional and lively.
For a drummer looking for tom heads that balance punch, warmth, and versatility, the G1 Coated heads are a really solid choice.
Pros
- Warm, punchy, and full of character
- Easy to tune and very responsive
- Open, musical sound suitable for any style
Cons
- Not as durable as thicker coated heads like G2 or even UV2
- Less bright attack and longer sustain may not suit some drummers
Remo Pinstripe Clear
Remo Pinstripe Clear Review
The Remo Pinstripes are heads that I’ve played countless times since I started drumming, and I can definitely see why they’ve stayed so popular for decades. They have a warm, punchy tone with a bright attack that cuts through without being harsh.
They’re built from two plies of 7-mil Mylar with a built-in damping ring, which helps control overtones while keeping the sound open. On different kits, I’ve noticed they can really transform the sound, especially on entry level sets. A beginner kit with Pinstripes instantly feels more professional and musical. I actually put these on my very first Pearl Export, and they made a huge difference.
That said, when I compared them to some of the newer heads with more modern damping, like the Evans HD Dry or EC2s, the Pinstripes didn’t stand out quite as much. The sustain is still fairly long, and to my ears, they can sound a little thinner and less full compared to other two-ply heads.
Even so, they’re a classic for a reason. For drummers after warmth, punch, and a reliable sound that works across genres, the Pinstripes are still a great option.
Pros
- Iconic sound and widely used for decades
- Great low-end warmth with clear attack
- Makes beginner kits sound much better
Cons
- Slightly thinner tone compared to modern alternatives
- Still has a longer sustain than some players might want
Drum Heads Buying Guide
It is claimed that up to 70% of a drum’s entire sound is dependent on the quality and tuning of a drum head. Whether you are upgrading your worn out skins or looking for brand new heads for a recording session, a fresh set of drum heads will allow you and your drums to sound at their very best.
Finding the perfect drum head for you is down to a matter of personal taste. There are lots of excellent drum heads out there, and many are versatile enough to handle a wide range of tunings and are appropriate for a variety of musical styles.
There is also an element of experimentation and trial and error when it comes to playing different drum heads. There might be a particular series you like a lot, and seem to gel well with.
For me, I personally love Remo Emperor drum heads. I believe they have a great balance of clarity, punch, warmth and resonance that makes them perfect for lots of musical styles and for performing both live and in the studio.
Why Should I Upgrade My Drum Heads?
Beginner drum sets and most intermediate drum sets will come equipped as standard with low quality drum heads. These are called “stock heads” and these are budget skins that offer poor tone and durability.
A new drum heads set will instantly improve the sound of your beginner drum set, and replacing worn our drum heads on an existing drum set will bring a new lease of life to your drums. It really is that simple, and a set of high-quality drum heads will ensure your drums will sound great no matter what styles of music you play.
There are different types of drum heads that have different features that will affect its overall sound and application.
What’s The Difference Between 1 and 2 Ply Drum heads?
1-Ply Drum Heads:
Single ply drum heads are traditionally the most commonly used type of drum head. These drum heads are made from a single sheet of mylar and come in various thicknesses. The most popular single ply drum head is the Remo Ambassador – which comes in a 10mil thickness.
Single ply drum heads are the industry standard for resonant drum heads (the underside skin opposite the batter skin.
Some qualities of a single ply drum head:
- Increased sensitivity
- More ring and overtones
- Open sounding
- Highly articulate
- Less durability
- Better tuned to medium/ higher pitches
- Best suited for jazz/ light rock/ folk/ latin
2-Ply Drum Heads:
2-ply drum heads consist of two layered plies, commonly of either 7 or 7.5mil thickness. Generally speaking, 2-ply drum heads provide greater attack and depth compared to single ply drum heads. For most modern drummers, 2-ply drum heads are the ‘go-to’ choice for batter skins, and single ply drum heads consistently the choice for resonant drum heads.
Some qualities of a 2-ply drum head:
- Fatter sound
- Shorter sustain
- Increased durability
- Higher tuning range
- Pronounced attack
- Less overtones
- Better tuned to low/ medium pitches
- Best suited for rock/ R&B/ metal/ pop
Clear vs Coated Drum Heads
Drum heads come in either a coated or a clear finish, and clear and coated heads offer their own unique sound characteristics:
Coated Drum Heads Provide:
- Warmer sounds
- Subtle muffling
- A distinctive sound when played with brushes
Clear Drum heads Provide:
- Brighter sounds
- More clarity and attack
- A cleaner tone













